British rock journalist John Ingham talks about the moment in 1976 when punk music broke in the UK, recounting memories of pioneering punk bands in their earliest days, including the Damned, the Clash, Subway Sect, the Sex Pistols and more. He will be in conversation with Sean L. Maloney.
About the Book:
When punk first broke in the UK in 1976, music journalist John Ingham was on hand to document the very heart of the scene. Struck by the music, fashion and sheer iconoclasm of a little-known outfit called the Sex Pistols, Ingham conducted the first interview with the band, partied with its members and even bailed Sid Vicious out of jail; he also witnessed and documented the group’s evolution at legendary gigs shared with other pioneering punk bands in their earliest days, including the Damned, the Clash, Subway Sect and more.
The result is Spirit of 76: London Punk Eyewitness, a revelatory collection of photography and fly-on-the-wall reportage showcasing the punk movement from its most raucous, bewildering beginnings. Containing the only color photos from British punk’s first wave alongside Ingham’s inimitable prose, this volume constitutes a rare from-the-trenches report on the UK punk explosion from one of its original participants. Here is the story of a year made up as it happened, lived with excitement and the belief that you could make the future whatever you wanted it to be.
About the author:
John Ingham is one of the pioneers who championed Punk and helped change music forever. Writing under the nom-de-typewriter “Jonh Ingham” for the weekly music paper Sounds, he saw and famously conducted the first-ever interview with the Sex Pistols in April 1976. Convinced he had witnessed the future of music he followed them throughout the year, seeing at close range their evolution at historic gigs, including the first time they played “Anarchy in The UK,” and even bailed Sid Vicious out of jail. He also saw and wrote the first reviews of the Damned, the Buzzcocks, the Clash and Siouxsie and the Banshees. Noticing that hardly anyone was photographing these new groups, he picked up a camera and started documenting what he saw, shooting some of the only color images of these bands at the beginning of their careers.
About the author:
Sean L. Maloney is a Boston-based, Nashville-trained music critic and arts journalist. His work has appeared in The Boston Globe, Nashville Scene and New York Magazine. He enjoys surfing, Sun Ra and Situationist cinema but isn’t afraid to dig a Top 40 tune if it’s got a hip beat.